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Parmigianino
Girolamo Francesco Maria Mazzola (also known as Francesco Mazzola or, more commonly, as Parmigianino ("the little one from Parma"); 11 January 150324 August 1540) was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by elongation of form and includes ''Vision of Saint Jerome'' (1527) and the ''Madonna with the Long Neck'' (1534).
==Early years==
Parmigianino was the eighth child of Filippo Mazzola and one Donatella Abbati. His father died of the plague two years after Parmigianino's birth, and the children were raised by their uncles, Michele and Pier Ilario, who according to Vasari were modestly talented artists.〔Vasari, Giorgio (Bull, George, translator) (1988). ''Lives of the Artists: Volume 2'', pp. 185-99. Penguin Classics. ISBN 0-14-044460-2.〕 In 1515, his uncle received a commission from Nicolò Zangrandi for the decoration of a chapel in San Giovanni Evangelista; a work later completed by a young Parmigianino. By the age of eighteen, he had already completed the ''Bardi Altarpiece''. In 1521, Parmigianino was sent to Viadana (along with painter Girolamo Bedoli who was to marry his cousin) to escape the wars between the French, Imperial, and papal armies. In Viadana, he painted two panels in tempera, depicting Saint Francis for the church of the Frati de' Zoccoli, and the ''Mystical Marriage of Saint Catherine'' for San Pietro. He also worked in San Giovanni and met Correggio, who was at work on the fresco decorations of the cupola.
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